pages

Showing posts with label film. Show all posts
Showing posts with label film. Show all posts

Thursday, September 29, 2011

dudes, bros and the women they hate to love

-written in joint disdain by Bhakti & Laxmi
The Story with the Stats
I recently watched I Don't Know How She Does It, a movie where a frazzled Sarah Jessica Parker juggles career, kids, marriage and friendship. The film was about the current state of affairs that the modern mother has found herself in. Though light in its tone, I was surprised by the careful and critical depiction of the genre of books known as mommy lit. The commentaries by Christian Hendricks resonated with me; they were tough, sarcastic and undeniably feminist. While it espoused a cliche, white heteronormativity, it was refreshing because it was not about landing some guy but about doing well in career and with your kids. When I looked for reviews on rottentomatoes.com, it only rated at 17% from critics. It was not the first time I had come home from a women-centric film and found that it rated atrociously, with critics saying the harshest possible things. When it comes to dude movies, however, its a completely different story. Take a look at these revealing stats:
Knocked Up 90% - A story about a set of greasy, unfortunate looking young men who smoke pot all day and the grimiest of them all ends up with a hot babe with an amazing tv career. 
I Love You Man 83% - A story about a vulnerable (read pathetic) guy with no friends who friends out with a greasy, sleazy guy who waxes eloquent about farts.
Hangover 78% - A story about some attractive and some greasy, potbellied guys who take roofies in Vegas and do things like pull out their own teeth and trash their hotel room. Some of them still get hot babes, especially the tooth guy.

And then here are stats for the equally annoying chick films...please note that these are not romantic comedies but female-bonding films even though critics constantly rate them based on romance criteria. 

Baby Mama 63% - A hilarious, hip movie about a woman trying to have a baby and the comedy of surrogacy that ensues. Starring attractive, profilic, insanely talented women like Tina Fey and Amy Poehler
Sex and the City 1 - 49% and Sex and the City 2 - 15% - An occassionaly funny, mainly sappy movie with fabulous fashion and talented actresses propounding (though poorly) some feminist ideals. 
Sisterhood of the Traveling Pants 77% An extremely charming coming-of-age film about teenage friendship that shockingly rates less than Hangover!

Lets forget about the pot-bellied, pot-smoking, trash-talking dudes for a moment and see how their six-packed, ball-dunking, trash-talking bro counterparts rate: Best Man 71% or The Brothers 63%. While the bros do poorly compared to the dudes in our pathetic society that lacks the most basic critical tools to understand African-American context or culture, they still rate higher than sisterhood movies. For example, the less recent How Stella Got Her Groove Back 48% or Phat Girlz 23%

To understand the exceptional case of Bridesmaids, read here

Machismo to Mess-ismo 
What is the malady at hand? Well, the most obvious issue is the unadulterated worship of male chauvinism. While the trend towards chauvinist narratives is hardly new, it is the particular form that it has taken which poses a big problem for us women who have to deal with the outrageous trends that arise in real life thanks to the fictive lives in these movies. Once upon a time, masculine ideals were perpetrated through dashing action heroes who were sauve and skilled. They beat a villain to pulp, sipped a martini and swirled breathless girls to tango music, all in a days work! What kind of role models do these overweight, jobless, broke, vulgar, messy and crass guys espouse? It seems that socially we have taken a turn for the worse - from the raw machismo of the previous times, we are now applauding farting, unkempt hair, lack of focus or ambition and a porn collection. 


Trash Talking
The direct outcome of these films is that men feel it is now okay to take trash-talking about women to the next level. Characters of women in most of these films have gone from adorable bimbo or nurturing angel to that of brittle bitch who stands in the way of anything the man may enjoy such as bachelor parties, porn, guys nights, pot parties and other shallow and vulgar pastimes. Attractive women that these men have miraculously snagged interrupt every possible moment of male camaraderie. The first topic among the male friends focus on how to "get" women, that is, how to get laid without getting the woman in question to fall madly in love with the greasy guy. The second focus is on pure women-bashing. All these women are desperate to get married, have kids, they are constantly in the pursuit of plotting home-making, plotting monogamy and mainly snooping and stalking even though not a single one of these characters seems remotely eligible for so much attention to be heaped on them. Though the men in dude movies are clearly losers, thus vulnerable and thus lovable, it is the bro movies which astound a little more. These hunky African-American males are all ivy-league educated, moneyed guys with all kinds of worldly experience, success and an erudite vocabulary, yet they spend their male bonding time mindlessly dissecting women in a manner that seems to hark back to the middle ages. Women-bashing is rampant here too but almost worse because the characters are supposedly so classy. 


Overall, it is so sad that these ineligible males view themselves as prized candidates whom women are waiting to entrap. They are chronically contriving to keep these women off and are perennially playing these women to keep them in check. These are such unlikely scenarios but the tragedy is that they have started to pass off as truth. Men romanticize these mindsets and  it is changing the fabric of relationships and courtships for the worse today. Some months ago, the New Yorker article on Anna Faris made a big splash by exposing sexism in Hollywood. The moguls of dude comedies claimed to follow some basic rules for date nights. I quote: "1) Men Rule: Men decide which movie a couple will see on any given weekend, and any hint that a film involves fashion, pedicures, or female troubles is "man-poison" --- 2) Men are simple. Don't confuse them: Men just don't understand the nuances of female dynamics...Male movie-goes care chiefly about the male star and his buddies --- 3) If a woman is the star, it better be a romantic comedy." Hollywood may swear by these rules but it is upto women to take date night into their own hands. Real women have never been more different than their on-screen avatars. They are stronger, more successful and less likely to settle than ever before. There is an embedded subjugating tactic within these films that I would urge women to not respond to. As for the men, I only have a simple question: Do you really want to be like these guys? I sincerely hope not. 

Monday, September 19, 2011

movies to avoid in the next few months

1. Machine Gun Preacher

Racism Alert!
Some white guy tries to save "Africa." Again! The trailer is totally insidious showing a towering man in safari suit bending over masses of young black kids as a disheveled red-head aid-worker type looks at him adoringly. Then there are the trucks blowing up, red-eyed "African" militants running amok, giant wooden crosses being mounted, a miscast Gerard Butler foolishly banging on desks asking to save children and random yet consensual "African" men looking on at him in admiration. Need I say more? Even though it is directed by the nuanced Marc Forster and even if the trailer may be misrepresenting the actual film, the whole premise is starkly racist and imperialist. Not to mention, utterly cliche.

2. Ides of March

Intellectual Hogwash Alert!
I can just imagine the casting meeting for this movie - "just find every intellectually smug actor in town, put him in a suit and have him parade around with a creased brow." There's a lot of high-stakes dialogue about election campaigns, the wrong man, the mistake, the leaked story but its still impossible to figure out what this movie is about. It seems entirely premised on the illusion that when Clooney, Gosling and Seymour Hoffman get together, something important is going to take place. Why then bother with a plot, a script or even a comprehensible premise. Sadly, this one may haunt us till the Oscars.

3. 50/50
Sexism Alert!
Here comes another dude movie glorifying oversmart, overweight characters that have overtaken Hollywood. This time their endless male-bonding is interrupted not by women, but by cancer. Nothing could be more unbearable than the fast-talking, fake vulnerability of Seth Rogen and the expressionless, cutesy, hipster histrionics of Joseph Gordon-Levitt. Apart from the usual jokes about pubic hair trimmers and marijuana, these guys will try to pick up chicks using the cancer card. Plain ugh.

4. Abduction
Brain Drain Alert!
Lets call this what it is - an excuse to see Taylor Lautner flaunt his body! From what starts off as a promising psychological thriller about stolen identity, a whole patchwork of thriller and mystery plots suddenly appear and some talk of a wanted asset. Main mystery though is how John Singleton went from Boyz in the Hood to directing our favorite werewolf running around town destroying stuff. Everyone is constantly mouthing something very grave and technical but I can promise you this is going to be dumb and dumber.

5. The Double
Cold War Nostalgia Alert!
It begins with a telling shot of a flag flying over the Capitol building and soon enough, its about the return of Soviet assassins called "Cassius 7." I almost fell asleep as I typed that line. Richard Gere is terribly serious as he hunts down the killers with all kinds of gratuitous violence thrown in. Patriotism, nationalist propaganda and blatant stereotyping aside, when will Hollywood actually get the memo about the Cold War? It really is over.