(image from http://malepatternboldness.blogspot.com)
Daniel Mendelsohn takes on the monumental task of critiquing Mad Men here. Almost everything he says makes perfect sense - the understanding of nostalgia as a primary shaping factor for the show, the way in which Weiner leaves many plotlines hanging, the weak treatment of homosexuality and race, the often bland acting, the fetish and over-consumerism now attached to the style of the period and the depth with which children actors really make the show extremely special.I am so very puzzled, however, by his snarky tone. There is no real room for it in writing about a show that seems to have gripped the critic and while we are often angry with ourselves for giving in to repulsive television, liking Mad Men could hardly fit that bill. I suspect Mendelsohn is annoyed because of the reverance with which the show has been spoken about until now, as if its a sacred space, untouchable, flawless, perfect. Maybe it is impossible to break that particular hushed sacredness without punching a little hard at it!
With or without the snark, this is still a fabulous analysis! Do read...
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